Anita Klein

Biography

Anita Klein was born in Sydney, Australia in 1960 and studied at both Chelsea School of Art and Slade School of Art, where she was awarded the Henrique Scholarship in 1982 and 1983. In 1985 Anita was made a fellow of the Royal Society of Painter Printmakers and was later elected their President in 2002. Public collectors of her work include the Arts Council of Great Britain, The British Museum and London University, and she has exhibited across Britain, Europe, America, India and Australia, including at the ICA and the Royal Academy in London.

At a time when the art world seems to be full of artists attempting to shock and denigrate, Anita Klein’s intimate, life affirming work comes as a welcome breath of fresh air. Her personal celebrations of everyday living rendered with humour, sensitivity and beauty reveal a joyful delight in the ‘dailiness of life’* (*Mel Gooding, ‘Anita Klein Painter; Printmaker’). Anita's art is an archive of personal moments that everyone can identify with. Witty, charismatic, warm and poignant, she is one of Britain’s finest and most prominent artists and printmakers of the 21st century.


Applause

No British artist has more thoroughly explored the female experience of family in the past 30 years than Anita Klein.

The Guardian, 2015

How refreshing, then, to encounter the art of Anita Klein. This London based artist understands implicitly that, while art is a product to be made and traded, it is primarily and most importantly a way of communication between the artist and the public, a medium for sharing what it means to be alive and aware. Her work is popular, but never dumbed down, and it is very well made. Her paintings and prints can be understood at first viewing but, like all good art, become better known and more satisfying through repeated viewings... What unites all these works is their honesty, resulting in images that find their place in peoples’ homes and lives, rewarding repeated viewings, and producing delight. That is a rare gift in the art world.  

Richard Noyce, The India Art Journal. Spring 2012

Anita Klein is one of the finest and most collected printmakers working in Britain today. Her art is witty, charismatic, warm and poignant; an archive of personal moments that everyone can identify with.
Latest 7 Magazine 2008

This award reflects the emotional insight of Anita Klein in her observation and understanding of intimate social, family and sexual relationships, and her glorious ability to bring them to paper. It celebrates her sensual feel for form, human curves, shapes, moods, the patterns of touch between friends and friends – and lovers; the flow of their clothes and naked bodies; and the graceful optimism her paintings release into the world. They warm the air.
Best Artist award UK Fringe, Fringe Report 2007

Ravel said he wanted his music to be complex, but not complicated. Anita Klein might say the same of her art. There is a grand simplicity to her works, but that is not the same as saying they lack subtlety and ambiguity. On the contrary, they have the sort of unselfconscious directness that comes from living and breathing art for so long that it becomes second nature.
John Russell Taylor, The Times

It is quite brave not only to have a subject matter to your painting these days but also to be fascinated by such ordinary things. There are no desperate attempts to shock, expose or outrage; simply poignant moments showing the things which you would most miss if they were taken away from you.
Helen Smithson, Ham & High

It is nice to have a real humorist recruited to the ranks of gifted painters. She is to be congratulated on livening up our dreary lives.
Guy Burn, Art Review

Star of the show for me is the spare, knowing, subversive and comic work of a young painter called Anita Klein. 
Godfrey Smith, Sunday Times

A blithe demonstration of intimacy.
William Zimmer, New York Times

'I know she’s got a quirky scale and that the figures are larger than life,’ says Jenny Groom, owner of a cookery school in Wiltshire, who bought one of Anita Klein’s oil paintings five years ago, ‘but it just accentuates their personality. The painting I have is called "Tuesday Evening", and it shows two women sitting across the table from one another, each holding a glass of wine. You just know they’ve got rid of their husbands and the kids are in bed and they’re having a good gossip, and it makes me laugh every time I look at it. She observes the minutiae of family life - the little things we do that are important to us. If my house was burning down, this is what I’d save'.
Quoted in the Telegraph Magazine 2004

Those values of disegno - line and division, pure colour planes, formal pattern and interval - are those of the great mural painting of the early renaissance - the art of Giotto, Piero della Francesco and Masaccio - that Klein reveres above all others, and to which she has paid the closest attention. Like theirs, hers is an art of stillness, of action caught and suspended in the transfiguring moment.... These are the elements of abstract style, the components of the formal economy to which I referred at the outset. They are to be found ... in the quattrocento modernism that placed such revolutionary value upon the depiction of ordinary men and women in extraordinary circumstances, conferring dignity upon them by abstract formalities of figuration and placement. Klein puts these grand principles of ‘artistic style’ to work in the transformation of the South London quotidian, creating out of household events and holiday pleasures images of a resonant contemporary myth of love.
Mel Gooding April 2006


Selected Solo Exhibitions

 

2021

  • Eames Fine Art Gallery - 'Summer in the City'
  • ​​​​​​​Watts Contemporary Gallery - 'Together'

2020

  • Lauderdale House, with Eames Fine Art
  • Eames Fine Art Gallery - 'Water'

2019

  • Marine House Devon - 'New Paintings'

2018

  • Eames Fine Art Gallery - 'These Fleeting Days'

2017

  • Eames Fine Art - 'New Linocuts' 

2016

  • Eames Fine Art - 'In Australia'

2014

 

  • Eames Fine Art Gallery - paintings and prints
  • Cambridge Contemporary Art - paintings and prints 
  • Hayletts Contemporary Art Essex - paintings and prints

2013

  • Eames Fine Art Gallery, London - paintings
  • Bitcham Gallery, Norfolk - Paintings and linocuts
  • Gallery Blǻ, Sweden - paintings and linocuts
  • Birds gallery, Melbourne, Australia - prints

2012 

  • Royal College of Music, London - 'Seven Angels': opera backdrop scene, paintings and set of linocuts
  • The Fine Art Partnership, London - linocuts
  • Marine House at Beer, Devon - paintings and prints
  • Oriel Wrecsam Gallery, Wales - prints
  • The Story Museum, Oxford - mural and paintings

2011

  • The Fine Art Partnership, Bankside and Menier Galleries, London - 'Through the Looking Glass': paintings and prints

2010

  • The Fine Art Partnership, London - 'Uccelli': paintings and prints
  • Advanced Graphics London - paintings and prints

2009

  • Bankside Gallery, London - 'Italian Angels': 52 angels painted in Italy
  • Boundary Gallery, London - paintings and stained glass

2008

  • Advanced Graphics London - new monoprints
  • Bircham Contemporary Arts, Norfolk - prints
  • Chelsea & Westminster Hospital Arts - prints
  • The Fine Art Partnership, Sussex - paintings, drawings and prints

2007

  • The Royal Commonwealth Society, London - Australian paintings
  • The Fine Art Partnership, Nottingham - paintings, drawings and prints

2006

  • Boundary Gallery, London - small oils and watercolours
  • Bankside Gallery, London – paintings and prints
  • Advanced Graphics London - prints

2005

  • Greek Printmakers Gallery, Athens, Greece - prints

2004

  • Advanced Graphics London - 'Ordinary Miracles': prints
  • Boundary Gallery, London - paintings, drawings and watercolours

2003

  • Helen Gory Gallery, Melbourne, Australia - paintings

2002

  • Advanced Graphics London - '20 Years of Printmaking': retrospective exhibition of prints
  • Boundary gallery, London - paintings, drawings and watercolours

2001

  • Boundary Gallery, London - paintings, drawings, watercolours and ceramics

2000

  • Cambridge Contemporary Art, Cambridge - paintings and prints
  • Port Jackson Press, Melbourne, Australia - prints

1999

  • Pyramid Gallery, York - prints and ceramics
  • Port Jackson Press, Melbourne, Australia - prints
  • Old Town Gallery, Tustin, California, USA - prints

1998

  • Cambridge Contemporary Art, Cambridge - paintings and prints
  • New Ashgate Gallery, Farnham - prints
  • Beaux Arts, Bath - paintings

1997

  • Leeds City Art Gallery, The Craft & Design Centre - prints

1996

  • Beaux Arts, Bath - paintings
  • Cambridge Contemporary Art, Cambridge - paintings and prints

1995

  • Gateway Arts Centre, Shrewsbury - two person show of prints with Paula Rego
  • European Art Fair, Ghent, with Beaux Arts - paintings

1994

  • Royal Exchange Theatre, Manchester - paintings

1993

  • Woodlands Art Gallery, London - paintings and prints

1992

  • Royal Pavillion Contemporary Gallery, Brighton - paintings and prints
  • Victorian Artists Society, Melbourne, Australia - prints

1991

  • Wilson Hale, London - paintings and prints

1990

  • Tall House Gallery, London - prints
  • Printworks, Colchester - paintings and prints

1987

  • Leigh Gallery, London - prints

1986

  • Creaser Gallery, London - paintings and prints